Classical music← Previous revisionRevision as of 14:19, 17 October 2026 Line 18: Line 18: ==Classical music== ==Classical music== The form of fandango has been used by many European composers, and often included in stage and instrumental works. Notable examples include [[J. P. Rameau]]'s "Les trois mains" (in "Nouvelles suites de pièces de clavecin", ca. 1729–30); Fandango forms #19 in the part 2 of [[Christoph Willibald Gluck|Gluck]]'s ballet ''[[Don Juan (ballet)|Don Juan]]'' (1761); in the third-act finale of [[Mozart]]'s opera ''[[The Marriage of Figaro]]'' (1786); in the finale of [[Luigi Boccherini]]'s String Quartet Op. 40 No. 2 (1798){{clarify|G.236?|date=November 2019}} and Guitar Quintet G.448; [[Antonio Soler (composer)|Antonio Soler]]'s Fandango for harpsichord; and the finale of [[Rimsky-Korsakov]]'s ''[[Capriccio Espagnol]]''.{{cite web | title=Capriccio espagnol, Op.34 (Rimsky-Korsakov, Nikolay) | website=International Music Score Library Project (IMSLP) / Petrucci Music Library | date=2024-12-27 | url=https://imslp.org/wiki/Capriccio_espagnol%2C_Op.34_(Rimsky-Korsakov%2C_Nikolay) | access-date=2025-08-18}} [[Luis de Freitas Branco]]'s third movement of his "Suite Alentejana No. 1" is inspired on the fandango of the regions of [[Alentejo]] and [[Ribatejo]] of Portugal.{{cite web | title=Freitas Branco, L. de: Orchestral Works, Vol. 1 (Cassuto) - Symphony No. 1 / Scherzo fantasique / Suite alentejana No. 1 | website=Naxos | url=https://www.naxos.com/Review/Detail/?catalogueid=8.570765&languageid=EN | access-date=2025-08-18}} Camille Saint-Saëns' "Danse Macabre" also follows the rhythm of the fandango. In the 21st century, Italian composer Carlotta Ferrari has written several Fandangos; particularly, her 2020 "Fandango RPS"{{cite web | title=Fandango RPS (Ferrari, Carlotta) | website=International Music Score Library Project (IMSLP) / Petrucci Music Library | url=https://imslp.org/wiki/Fandango_RPS_(Ferrari%2C_Carlotta) | access-date=2025-08-18}} uses the Restarting Pitch Space harmony system.{{cite web | url=https://carsoncooman.com/restarting-pitch-space/ | title=Restarting Pitch Space | Carson Cooman – Composer }} The form of fandango has been used by many European composers, and often included in stage and instrumental works. Notable examples include [[J. P. Rameau]]'s "''Les trois mains''" (in "''Nouvelles suites de pièces de clavecin''", ca. 1729–30); Fandango forms #19 in the part 2 of [[Christoph Willibald Gluck|Gluck]]'s ballet ''[[Don Juan (ballet)|Don Juan]]'' (1761); in the third-act finale of [[Mozart]]'s opera ''[[The Marriage of Figaro]]'' (1786); in the finale of [[Luigi Boccherini]]'s String Quartet Op. 40 No. 2 (1798){{clarify|G.236?|date=November 2019}} and Guitar Quintet G.448; [[Antonio Soler (composer)|Antonio Soler]]'s Fandango for harpsichord; and the finale of [[Rimsky-Korsakov]]'s ''[[Capriccio Espagnol]]''.{{cite web |title=Capriccio espagnol, Op.34 (Rimsky-Korsakov, Nikolay) |website=International Music Score Library Project (IMSLP) / Petrucci Music Library |date=2024-12-27 |url=https://imslp.org/wiki/Capriccio_espagnol%2C_Op.34_(Rimsky-Korsakov%2C_Nikolay) |access-date=2025-08-18}} [[Luis de Freitas Branco]]'s third movement of his "''Suite Alentejana No. 1''" is inspired on the fandango of the regions of [[Alentejo]] and [[Ribatejo]] of Portugal.{{cite web |title=Freitas Branco, L. de: Orchestral Works, Vol. 1 (Cassuto) - Symphony No. 1 / Scherzo fantasique / Suite alentejana No. 1 |website=Naxos |url=https://www.naxos.com/Review/Detail/?catalogueid=8.570765&languageid=EN |access-date=2025-08-18}} Camille Saint-Saëns' "''Danse Macabre''" also follows the rhythm of the fandango. In the 21st century, Italian composer Carlotta Ferrari has written several Fandangos; particularly, her 2020 "''Fandango RPS''"{{cite web |title=Fandango RPS (Ferrari, Carlotta) |website=International Music Score Library Project (IMSLP) / Petrucci Music Library |url=https://imslp.org/wiki/Fandango_RPS_(Ferrari%2C_Carlotta) |access-date=2025-08-18}} uses the Restarting Pitch Space harmony system.{{cite web |url=https://carsoncooman.com/restarting-pitch-space/ |title=Restarting Pitch Space | Carson Cooman – Composer }} Italian composer [[Domenico Scarlatti]], who was influenced by Iberian folk music, had several passages reminiscent of fandango, such as in his keyboard sonata K. 492 (1756) which has been called "Fandango portugués".{{cite web|access-date=1 February 2019|language=es|title=A vueltas con el fandango|first=Guillermo |last=Castro Buendía|issn=1886-9505|number=24|date=January 2013|website=Sinfonía Virtual|url=http://www.sinfoniavirtual.com/flamenco/ritmica_fandango.pdf|page=6 (also footnotes 14 and 15)|url-status=live|archive-date=7 December 2013|archive-url=https://web.archive.org/web/20131207015428/http://www.sinfoniavirtual.com/flamenco/ritmica_fandango.pdf}} The piece "Fandango del Sigr. Escarlate" has been attributed to him, but some scholars dispute this claim and its similarity to fandangos. Italian composer [[Domenico Scarlatti]], who was influenced by Iberian folk music, had several passages reminiscent of fandango, such as in his keyboard sonata K. 492 (1756) which has been called "''Fandango portugués''".{{cite web |access-date=1 February 2019 |language=es |title=A vueltas con el fandango |first=Guillermo |last=Castro Buendía |issn=1886-9505 |number=24 |date=January 2013 |website=Sinfonía Virtual |url=http://www.sinfoniavirtual.com/flamenco/ritmica_fandango.pdf |page=6 (also footnotes 14 and 15) |url-status=live |archive-date=7 December 2013 |archive-url=https://web.archive.org/web/20131207015428/http://www.sinfoniavirtual.com/flamenco/ritmica_fandango.pdf}} The piece "''Fandango del Sigr. Escarlate''" has been attributed to him, but some scholars dispute this claim and its similarity to fandangos. The Spanish form of fandango is given by Dohrn in the ''Neue Zeitschrift für Musik.''{{Cite book|last=Dohrn|first=Carl August|title=Neue Zeitschrift für Musik|year=1839|pages=163–164}} The Spanish form of fandango is given by Dohrn in the ''Neue Zeitschrift für Musik''.{{Cite book |last=Dohrn |first=Carl August |title=Neue Zeitschrift für Musik |year=1839 |pages=163–164}} ==Spanish dance== ==Spanish dance==