Confessions II does something remarkable. In a vacuum, guest production from Dutch big room DJ Martin Garrix and lyrics like “The dancefloor isn’t just a place, it’s a threshold” and “Everybody get up and dance” could be read as empty platitudes about dancing as an act of revolution: sweet nothings whispered to a crowd already ready to celebrate the undisputed Queen of Pop. But situated within a wider project that offers an unflinching retrospective on herhellip;read more raquo;