「イザベラ・バード」を歩く:/9 「結構!」だった陽明門と日光の人々

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東照宮などを含む「日光の社寺」は1999年、ユネスコの「世界文化遺産」に登録された=栃木県日光市で2024年8月21日、森忠彦撮影 1878(明治11)年6月。日光に滞在したイザベラ・バードは、その時間を生かして貪欲に歴史の町・日光を歩き回り、そこに暮らす人々の生活を書き留めた。「Unbeaten Tracks in Japan」は、詳細な彼女の観察眼であふれている。まずは、最大の目玉である日光東照宮について。KANAYA'S, NIKKO, June 21.I have been at Nikko for nine days, and am therefore entitled to use the word "Kek'ko!" Nikko means "sunny splendour," and its beauties are celebrated in poetry and art all over Japan. Mountains for a great part of the year clothed or patched with snow, piled in great ranges round Nantaizan, their monarch, worshipped as a god; forests of magnificent timber; ravines and passes scarcely explored; dark green lakes sleeping in endless serenity; the deep abyss of Kegon, into which the waters of Chiuzenjii plunge from a height of 250 feet; the bright beauty of the falls of Kiri Furi, the loveliness of the gardens of Dainichido; the sombre grandeur of the passes through which the Daiyagawa forces its way from the upper regions; a gorgeousness of azaleas and magnolias; and a luxuriousness of vegetation perhaps unequalled in Japan, are only a few of the attractions which surround the shrines of the two greatest Shoguns.***********All roads, bridges, and avenues here lead to these shrines, but the grand approach is by the Red Bridge, and up a broad road with steps at intervals and stone-faced embankments at each side, on the top of which are belts of cryptomeria. At the summit of this ascent is a fine granite torii, 27 feet 6 inches high, with columns 3 feet 6 inches in diameter, offered by the daimiyo of Chikuzen in 1618 from his own quarries. After this come 118 magnificent bronze lanterns on massive stone pedestals, each of which is inscribed with the posthumous title of Iyeyasu, the name of the giver, and a legend of the offering -- all the gifts of daimiyo -- holy water cistern made of a solid block of granite, and covered by a roof resting on twenty square granite pillars, and a bronze bell, lantern, and candelabra of marvellous workmanship, offered by the kings of Corea and Liukiu. On the left is a five-storied pagoda, 104 feet high, richly carved in wood and as richly gilded and painted. The signs of the zodiac run round the lower story.The grand entrance gate is at the top of a handsome flight of steps forty yards from the torii. A looped white curtain with the Mikado's crest in black, hangs partially over the gateway, in which, beautiful as it is, one does not care to linger, to examine the gilded amainu in niches, or the spirited carvings of tigers under the eaves, for the view of the first court overwhelms one by its magnificence and beauty. The whole style of the buildings, the arrangements, the art of every kind, the thought which inspires the whole, are exclusively Japanese, and the glimpse from the Ni-o gate is a revelation of a previously undreamed-of beauty, both in form and colour. Round the neatly pebbled court, which is enclosed by a bright red timber wall, are three gorgeous buildings, which contain the treasures of the temple, a sumptuous stable for the three sacred Albino horses, which are kept for the use of the god, a magnificent granite cistern of holy water, fed from the Somendaki cascade, and a highly decorated building, in which a complete collection of Buddhist Scriptures is deposited. From this a flight of steps leads into a smaller court containing a bell-tower "of marvellous workmanship and ornamentation," a drum-tower, hardly less beautiful, a shrine, the candelabra, bell, and lantern mentioned before, and some very grand bronze lanterns. 東京から比較的近く、日本の伝統芸術や宗教的空間が江戸時代のままに残されている場所として、日光はすでに外国人居留者の間でも人気の場所だった。…