“I think there’s a kind of neo-misogyny now that’s very medieval,” says filmmaker Anna Biller. In her new film, The Face of Horror, there are caddish knights (Jonah Hauer-King) and a forsaken, then disfigured, bride (Kristine Froseth), forced to enact her bloody revenge from beyond the grave. Rendered in sumptuous technicolour, it reveals a patriarchal society in miniature; lucid and eerily beautiful. But the real horror? Its 14th century settinghellip;read more raquo;