A few years ago, a researcher looked at every surviving print of Hokusai’s The Great Wave off Kanagawa that she could find (113 in all) and, using differences caused by “woodblock wear”, developed a system for determining if a particular print was made early in the life of the woodblocks used, late, or somewhere in-between.Did you know there are 113 identified copies of Hokusai’s The Great Wave. I know the title says 111, but scientist Capucine Korenberg found another 2 after completing her research. What research was that? Finding every print of The Great Wave around the world and then sequencing them, to find out when they were created during the life cycle of the woodblocks they were printed from.This involved painstakingly documenting visible signs of wear to the keyblock that made the Great Wave, and tracking these visible changes as the keyblock continued to be used (fun fact; scholars estimate there were likely as many as 8000 prints of The Great Wave originally in circulation).See also The Evolution of Hokusai’s Great Wave. Tags: art · Katsushika Hokusai · science · video 💬 Join the discussion on kottke.org →