Kenny Nguyen: The Divine Eye is an evocative, large-scale installation that invites viewers to engage with the rich spiritual and cultural history of Vietnam through the lens of Caodaism. Rooted in the synthesis of Eastern and Western philosophies, Caodaism — a syncretic religion founded in Vietnam in the 1920s — serves as both inspiration and metaphor in this work, which is on view at the Halsey Institute of Contemporary Art at the College of Charleston in South Carolina through December 6.In his practice, Nguyen transforms torn strips of silk by dipping them into acrylic paint, layering them onto canvas, and hanging them dynamically on the wall to construct new topographies. Now for the first time, his technique has been adapted to form columns that reflect Caodaism’s distinctive temple architecture, marrying traditional Eastern elements with Western influences to create a visual dialogue between the past and the present, the local and the global.Kenny Nguyen, “The Great Palace Installation” (2025), hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 18 columnsCaodaism emerged in response to the tumultuous history of Vietnam in the early 20th century, during a time of colonial occupation and national struggle. In the face of foreign domination and the erosion of indigenous cultural practices, this new religion synthesized elements from Buddhism, Taoism, Confucianism, Christianity, and other world religions to form a unifying spiritual force. Although Nguyen is not a practicing member of the faith himself, his grandmother was a member of the temple that inspired his work. This connection left a lasting imprint on his understanding of Caodaism and its significance to the Vietnamese people. For the artist, the creation of “The Divine Eye” (2025) is deeply personal.Nguyen’s use of silk is deliberate and symbolic. By pushing the limits of the material, he aims to emphasize concepts of transformation and perseverance, mirroring the journey of the Vietnamese people — both within their homeland and in the diaspora. In many ways, the work is intended to reflect the strength and grace of his grandmother and others in their community who have preserved their culture and spirituality amidst adversity.Kenny Nguyen, “The Great Palace Installation” (2025), hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 18 columnsThrough the hybrid form of architecture, intricate folds of silk, and the profound symbolism of the Divine Eye — an all-seeing force that guides and protects — Nguyen hopes to create a space of reflection and connection, speaking not only to the spiritual beliefs of Caodaism but also to the resilience and ongoing transformation of Vietnamese culture. Through Nguyen’s art, viewers are invited to look inward and outward, to witness the past’s impact on the present, and to consider the transformative power of heritage in shaping the future.To learn more, visit halsey.charleston.edu.Kenny Nguyen, “The Divine Eye” (2025), hand-cut silk fabric, acrylic paint, canvas, mounted on wallDetail of Kenny Nguyen’s “(Undecided Title)” (2025), hand-cut silk fabric, acrylic paint, canvas, mounted on wall