In Paolo Puck’s imaginary realm of Fliffmellington, surreal characters come to life through elaborate costumes. Often weathered and tumbled-looking, a series of handbags, purses, and helmets glimpse a wonderfully weird world.“I’m in the long process of faithfully recreating various artefacts from the world of Fliffmellington,” Puck tells Colossal. “Long-term, I will be making a book and short film, as well as an anthropological exhibition of the artefacts.”The artist aims to highlight the world of Fliffmellington through its material culture, which often features motifs of expressive or abstracted animals and absurdly large vegetables. The overall costumes reference personalities like the “Gherkin God” or an enigmatic, fantastical character named Celeste, who is associated with an organization called Jezilwik Grindlewax.Puck’s approach to making detailed, wearable pieces is through the lens of archaeologist and conservator, as if the objects have been carefully excavated or recovered from a forgotten place, shedding light on an unknown culture.Enter Puck’s uncanny world via the artist’s website and Instagram, and find tutorials and making-of insights via Substack. You might also enjoy Nikolas Bentel’s hyper-bespoke accessories.Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Paolo Puck Imagines a World Called Fliffmellington and Its Uncanny Artifacts appeared first on Colossal.